Oil On Canvas, Real Flavor of Old Masters

All Albert Pinkham Ryder 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
45408  
Constance, Albert Pinkham Ryder
  		 Constance   mk181 bender 1896 Ol auf Leinwand 71.7x91.4cm
96550  
Die Rennbahn oder der Tod auf einem fahlen Pferd, Albert Pinkham Ryder
  		 Die Rennbahn oder der Tod auf einem fahlen Pferd   1895-1910 Medium oil on canvas Dimensions 72 X 89.5 cm cyf
66113  
Evening Glow, The Old Red Cow, Albert Pinkham Ryder
  		 Evening Glow, The Old Red Cow   between 1870(1870) and 1875 Oil on canvas 20 x 22.8 cm (7.87 x 8.98 in)
72905  
Grazing Horse, Albert Pinkham Ryder
  		 Grazing Horse   Date between 1872(1872) and 1878(1878) Medium Oil on canvas Dimensions 25.8 X 35.8 cm (10.16 X 14.09 in) cyf
72570  
Illustrated Newspaper, Albert Pinkham Ryder
  		 Illustrated Newspaper   Date ca. 1868(1868) Medium Oil on canvas Dimensions 42.9 X 35.1 cm (16.89 X 13.82 in) cyf
4407  
Jonah, Albert Pinkham Ryder
  		 Jonah  
25713  
Moon-light Marine (mk43), Albert Pinkham Ryder
  		 Moon-light Marine (mk43)   Probably 1870sor 1880s, The Metropolitan Museum of Art,New York
70890  
Moonrise, Albert Pinkham Ryder
  		 Moonrise   ca. 1870(1870) Oil on canvas 21.3 x 26.2 cm (8.39 x 10.31 in)
72329  
Sheepfold, Albert Pinkham Ryder
  		 Sheepfold   Date ca. 1870(1870) Medium Oil on canvas Dimensions 21.5 X 22.6 cm (8.46 X 8.9 in) cyf
4406  
Siegfried and the Rhine Maidens, Albert Pinkham Ryder
  		 Siegfried and the Rhine Maidens   The National Gallery of Art, Washington D.C.
22295  
Siegfried and the Rhine Maidens (mk19), Albert Pinkham Ryder
  		 Siegfried and the Rhine Maidens (mk19)   1888-1891 Oil on canvas,50 x 52 cm National Gallery,Washington (DC)
72252  
Summer s Fruitful Pastures, Albert Pinkham Ryder
  		 Summer s Fruitful Pastures   Date between 1875(1875) and 1879(1879) Medium Oil on panel Dimensions 19.4 X 25.2 cm (7.64 X 9.92 in) cyf
71148  
Summer's Fruitful Pastures, Albert Pinkham Ryder
  		 Summer's Fruitful Pastures   between 1875(1875) and 1879(1879) Oil on panel 19.4 x 25.2 cm (7.64 x 9.92 in)
22298  
The Flying Dutchman (mk19), Albert Pinkham Ryder
  		 The Flying Dutchman (mk19)   c 1887 Oil on canvas,36.1 x 43.8 cm National Museum of American Art,Washington (DC)
71657  
The Grazing Horse, Albert Pinkham Ryder
  		 The Grazing Horse   between 1872(1872) and 1878(1878) Oil on canvas 25.8 x 35.8 cm (10.16 x 14.09 in)
71140  
The Hunter, Albert Pinkham Ryder
  		 The Hunter   ca. 1880(1880) Oil on panel 14.8 x 29 cm (5.83 x 11.42 in)
89460  
The Lovers' Boat, Albert Pinkham Ryder
  		 The Lovers' Boat   c. 1881 Medium oil on wood Dimensions 11 3/8" x 12" cjr
4405  
The Race Track, Albert Pinkham Ryder
  		 The Race Track   Cleveland Museum of Art
32010  
The Race Track, Albert Pinkham Ryder
  		 The Race Track   mk77 c.1886-1908 27 3/4x35 1/2in
71194  
The Sheepfold, Albert Pinkham Ryder
  		 The Sheepfold   ca. 1870(1870) Medium Oil on canvas Dimensions 21.5 x 22.6 cm (8.46 x 8.9 in)
71293  
The Shepherdess, Albert Pinkham Ryder
  		 The Shepherdess   ca. 1880(1880) Oil on panel 25.7 x 17.3 cm (10.12 x 6.81 in)
39086  
The Waste of Waters is Their Field, Albert Pinkham Ryder
  		 The Waste of Waters is Their Field   mk140 early 1880 Oil on canvas 28.8x30.5cm
71405  
The Waste of Waters is Their Field, Albert Pinkham Ryder
  		 The Waste of Waters is Their Field   ca. 1880(1880) Oil on panel 28.8 x 30.5 cm (11.34 x 12.01 in)
4408  
Toilers of the Sea, Albert Pinkham Ryder
  		 Toilers of the Sea  
27987  
Toilers of the Sea, Albert Pinkham Ryder
  		 Toilers of the Sea   c 1880-5 oil on wood 29.2 x 39.5cm (11 1/2 x 12in) Metropolitan Museum of Art New York (mk63)
72547  
Waste of Waters is Their Field, Albert Pinkham Ryder
  		 Waste of Waters is Their Field   ca. 1880(1880) Medium Oil on panel Dimensions 28.8 X 30.5 cm (11.34 X 12.01 in) cyf
Albert Pinkham Ryder
1847-1917 Albert Pinkham Ryder Gallery Albert Pinkham Ryder (March 19, 1847 ?C March 28, 1917) was an American painter best known for his poetic and moody allegorical works and seascapes, as well as his eccentric personality. While his art shared an emphasis on subtle variations of color with tonalist works of the time, it was unique for accentuating form in a way that some art historians regard as modernist. After 1900, around the time of his father's death, Ryder's creativity fell dramatically. For the rest of his life he spent his artistic energy on occasionally re-working existing paintings, some of which lay scattered about his New York apartment. Visitors to Ryder's home were struck by his slovenly habits -- he never cleaned, and his floor was covered with trash, plates with old food, and a thick layer of dust, and he would have to clear space for visitors to stand or sit. He was shy and did not seek the company of others, but received company courteously and enjoyed telling stories or talking about his art. He gained a reputation as a loner, but he maintained social contacts, enjoyed writing letters, and continued to travel on occasion to visit friends. While Ryder's creativity fell after the turn of the century, his fame grew. Important collectors of American art sought Ryder paintings for their holdings and often lent choice examples for national art exhibitions, as Ryder himself had lost interest in actively exhibiting his work. In 1913, ten of his paintings were shown together in the historic Armory Show, an honor reflecting the admiration felt towards Ryder by modernist artists of the time. By 1915 Ryder's health deteriorated, and he died at the home of a friend who was caring for him. A memorial exhibition of his work was held in the Metropolitan Museum of Art in New York in 1918. While the works of many of Ryder's contemporaries were partly or mostly forgotten through much of the 20th century, Ryder's artistic reputation has remained largely intact owing to his unique and forward-looking style. Ryder was along with Thomas Hart Benton, David Siqueiros and Pablo Picasso an important influence on Jackson Pollock's paintings.



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